Buddies, lovers, and detours: America and its road movies

  • Is an open road also a democratic one? Zooming in on two films—Queen & Slim (2019) and Unpregnant (2020)—this article discusses American road movie genre from the perspective of 2021, and how contemporary film narratives intersect with race and gender. One movie often drives in another film’s lane, meaning the genre is self-referential. Unfolding in three parts, the article begins by introducing these two films and surveying how they contribute to the road movie genre. It then discusses cars and clothing as characters and concludes by considering surveillance and how these films, in tandem, take the temperature of contemporary American society.

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Metadaten
Author:L. Sasha GoraORCiDGND
URN:urn:nbn:de:bvb:384-opus4-1089752
Frontdoor URLhttps://opus.bibliothek.uni-augsburg.de/opus4/108975
ISSN:1991-2773OPAC
Parent Title (English):Review of International American Studies
Publisher:University of Silesia Press
Place of publication:Katowice
Type:Article
Language:English
Date of first Publication:2021/12/19
Publishing Institution:Universität Augsburg
Release Date:2023/11/10
Tag:Literature and Literary Theory; Anthropology; History; Cultural Studies
Volume:14
Issue:2
First Page:103
Last Page:119
DOI:https://doi.org/10.31261/rias.11809
Institutes:Philologisch-Historische Fakultät
Philologisch-Historische Fakultät / Geschichte
Philologisch-Historische Fakultät / Geschichte / DFG-Heisenberg Professur für Globale Umweltgeschichte und Environmental Humanities
Dewey Decimal Classification:9 Geschichte und Geografie / 90 Geschichte / 900 Geschichte und Geografie
Licence (German):CC-BY-SA 4.0: Creative Commons: Namensnennung - Weitergabe unter gleichen Bedingungen (mit Print on Demand)