'Rite de passage' or special ability? The bronze statuette of a boy holding a whipping top in the Munich collections of antiquities

  • A 36-centimeter-high bronze statuette in the Munich Antikensammlungen represents a naked young man holding a conical spinning top in his raised right hand, and formerly probably holding a whip in his left hand. The statuette was made around 350-325 BCE, probably in the Etrusco-Campanian environment. It formerly came from the James Loeb collection. Its place of discovery is unknown. It is assumed that it served as a votive offering or a grave good. It probably depicts a youth on the threshold of adulthood presenting his toy as part of the 'rite de passage' and consecrating it to a deity such as Hermes. With the dedicated presentation of the spinning top, the young man certainly also refers to his special ability and skill in playing whipping tops. It cannot be conclusively clarified whether the statuette can be further interpreted to the effect that the young man is not consecrating the object per se, but – in a more abstract sense – his ability, and can thus perhaps be interpreted in aA 36-centimeter-high bronze statuette in the Munich Antikensammlungen represents a naked young man holding a conical spinning top in his raised right hand, and formerly probably holding a whip in his left hand. The statuette was made around 350-325 BCE, probably in the Etrusco-Campanian environment. It formerly came from the James Loeb collection. Its place of discovery is unknown. It is assumed that it served as a votive offering or a grave good. It probably depicts a youth on the threshold of adulthood presenting his toy as part of the 'rite de passage' and consecrating it to a deity such as Hermes. With the dedicated presentation of the spinning top, the young man certainly also refers to his special ability and skill in playing whipping tops. It cannot be conclusively clarified whether the statuette can be further interpreted to the effect that the young man is not consecrating the object per se, but – in a more abstract sense – his ability, and can thus perhaps be interpreted in a professional context with acrobats and magicians.show moreshow less

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Metadaten
Author:Astrid FendtORCiDGND
URN:urn:nbn:de:bvb:384-opus4-1141586
Frontdoor URLhttps://opus.bibliothek.uni-augsburg.de/opus4/114158
ISBN:9782355181290OPAC
ISSN:1278-3846OPAC
Parent Title (English):Toys as cultural artefacts in Ancient Greece, Etruria, and Rome
Publisher:Editions Mergoil
Place of publication:Drémil-Lafage
Editor:Véronique Dasen, Marco Vespa
Type:Part of a Book
Language:English
Date of Publication (online):2024/07/19
Year of first Publication:2022
Publishing Institution:Universität Augsburg
Release Date:2024/07/19
First Page:173
Last Page:184
Series:Monographies Instrumentum ; 75
DOI:https://doi.org/10.5281/zenodo.10058554
Institutes:Philologisch-Historische Fakultät
Philologisch-Historische Fakultät / Klassische Archäologie
Dewey Decimal Classification:9 Geschichte und Geografie / 93 Geschichte des Altertums (bis ca. 499), Archäologie / 930 Geschichte des Altertums bis ca. 499, Archäologie
Licence (German):CC-BY 4.0: Creative Commons: Namensnennung (mit Print on Demand)