Textu(r)al performances of affect in John Donne's valediction poems

  • This article suggests a method of ‘differential’ reading—that is, reading for the affective surplus beyond a text’s semantics—in order to analyse the role of affect in John Donne’s poetry. Derived from contrasting several twenty-first-century theories of affect (Massumi, Sedgwick, Brinkema), such a differential reading wants to explore the way in which affect is expressed through poetic form and through the more immediately experiential, or material, dimensions of a poem: that is, through its texture. Donne’s valediction poems make use both of their evocation of a concrete materiality that affords touching and being touched and of their creation of cognitive intensity through semantic overdetermination to perform affect in their poetic language, allowing for affective experience and cognitive reading to merge in a blend of thinking and feeling.

Download full text files

Export metadata

Statistics

Number of document requests

Additional Services

Share in Twitter Search Google Scholar
Metadaten
Author:Martin RiedelsheimerORCiDGND
URN:urn:nbn:de:bvb:384-opus4-1149833
Frontdoor URLhttps://opus.bibliothek.uni-augsburg.de/opus4/114983
ISSN:1832-8334OPAC
Parent Title (English):Parergon
Publisher:Australian and New Zealand Association for Medieval and Early Modern Studies
Place of publication:Canberra
Type:Article
Language:English
Year of first Publication:2024
Publishing Institution:Universität Augsburg
Release Date:2024/08/26
Volume:41
Issue:1
First Page:273
Last Page:294
DOI:https://doi.org/10.1353/pgn.2024.a935343
Institutes:Philologisch-Historische Fakultät
Philologisch-Historische Fakultät / Anglistik / Amerikanistik
Philologisch-Historische Fakultät / Anglistik / Amerikanistik / Lehrstuhl für Amerikanistik
Dewey Decimal Classification:4 Sprache / 42 Englisch, Altenglisch / 420 Englisch, Altenglisch
Licence (German):Deutsches Urheberrecht