Cringe and sympathy: the comedy of mental illness in 'Flowers'

  • This article on brings together findings from humor studies, especially work on cringe comedy, and disability studies. It analyzes how Flowers uses elements of cringe to question societal norms of the “proper person” in connection to mental illness, but also how Flowers broadens the genre of cringe so that, at times, it becomes a cringe tragedy rather than a cringe comedy, thus taking seriously the pain of mental illness. As a third point, this analysis focuses on the way in which Flowers self-reflexively employs elements of narrativity to draw attention to the cultural constructedness and storyfication of mental illness throughout history.

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Metadaten
Author:Linda M. HessGND
URN:urn:nbn:de:bvb:384-opus4-910589
Frontdoor URLhttps://opus.bibliothek.uni-augsburg.de/opus4/91058
ISSN:2076-0787OPAC
Parent Title (English):Humanities
Publisher:MDPI
Type:Article
Language:English
Date of first Publication:2021/11/20
Publishing Institution:Universität Augsburg
Release Date:2021/12/09
Tag:mental illness; cringe; dark comedy
Volume:10
Issue:4
First Page:121
DOI:https://doi.org/10.3390/h10040121
Institutes:Philologisch-Historische Fakultät
Philologisch-Historische Fakultät / Anglistik / Amerikanistik
Philologisch-Historische Fakultät / Anglistik / Amerikanistik / Lehrstuhl für Amerikanistik
Dewey Decimal Classification:8 Literatur / 81 Amerikanische Literatur in Englisch / 810 Amerikanische Literatur in Englisch
Licence (German):CC-BY 4.0: Creative Commons: Namensnennung (mit Print on Demand)