Negotiating individuality and collectivity in community music: a qualitative case study

  • In this paper, we report on a qualitative study based on the “Meet4Music” (M4M) project recently developed at the University of Music and Performing Arts Graz, Austria. M4M is a low-threshold community-based program where participatory sessions dedicated to different artistic activities are freely offered to people from different social and cultural backgrounds. Our study explores how M4M promotes self-expression, creativity, social understanding, and artistic development through a number of interviews that we collected with the “facilitators”—those who help guide the heterogeneous ensemble of participants without being committed to a fixed and pre-defined teaching content. Our data focus on three aspects of M4M: “mutual collaborations,” “non-verbal communication,” and “sense of togetherness.” Taking the “enactive” approach to cognition as a theoretical background, we argue that M4M helps to promote a sense of community that goes beyond the distinction between “individuality” andIn this paper, we report on a qualitative study based on the “Meet4Music” (M4M) project recently developed at the University of Music and Performing Arts Graz, Austria. M4M is a low-threshold community-based program where participatory sessions dedicated to different artistic activities are freely offered to people from different social and cultural backgrounds. Our study explores how M4M promotes self-expression, creativity, social understanding, and artistic development through a number of interviews that we collected with the “facilitators”—those who help guide the heterogeneous ensemble of participants without being committed to a fixed and pre-defined teaching content. Our data focus on three aspects of M4M: “mutual collaborations,” “non-verbal communication,” and “sense of togetherness.” Taking the “enactive” approach to cognition as a theoretical background, we argue that M4M helps to promote a sense of community that goes beyond the distinction between “individuality” and “collectivity.” M4M encourages participants to meaningfully engage in collective forms of artistic activities, and develop new perspectives on their cultural identities that can play a key role for their flourishing as musical beings. In conclusion, we briefly consider possibilities for future research and practice.show moreshow less

Download full text files

Export metadata

Statistics

Number of document requests

Additional Services

Share in Twitter Search Google Scholar
Metadaten
Author:Andrea Schiavio, Dylan van der Schyff, Andrea Gande, Silke Kruse-WeberGND
URN:urn:nbn:de:bvb:384-opus4-1116896
Frontdoor URLhttps://opus.bibliothek.uni-augsburg.de/opus4/111689
ISSN:0305-7356OPAC
ISSN:1741-3087OPAC
Parent Title (English):Psychology of Music
Publisher:SAGE Publications
Type:Article
Language:English
Year of first Publication:2019
Publishing Institution:Universität Augsburg
Release Date:2024/03/08
Tag:Psychology (miscellaneous); Music
Volume:47
Issue:5
First Page:706
Last Page:721
DOI:https://doi.org/10.1177/0305735618775806
Institutes:Philosophisch-Sozialwissenschaftliche Fakultät
Philosophisch-Sozialwissenschaftliche Fakultät / Musik
Philosophisch-Sozialwissenschaftliche Fakultät / Musik / Musikpädagogik
Dewey Decimal Classification:7 Künste und Unterhaltung / 78 Musik / 780 Musik
Licence (German):CC-BY 4.0: Creative Commons: Namensnennung (mit Print on Demand)