Conductors' views on individual practice activities

  • This study explored how professional conductors understand the role of individual (purposeful) practice and how they describe the contents of such practice. Twelve professional conductors were interviewed and content analysis was used to analyze the data. The results show that the participants understood conducting as a lifelong learning process. Through intensive individual practice, they had built up a significant repertoire of musical works. Being well prepared allowed them to impart knowledge, which helped them to achieve an authoritative and communicative relationship with musicians. While technical aspects such as baton technique had been important during early career stages, these were mostly no longer practiced. Studying the score was perceived as the most central practice activity aiming at performance improvement. It required disciplined, persistent, and goal-oriented learning, and thus carried the marks of purposeful practice. Individual activities during score study wereThis study explored how professional conductors understand the role of individual (purposeful) practice and how they describe the contents of such practice. Twelve professional conductors were interviewed and content analysis was used to analyze the data. The results show that the participants understood conducting as a lifelong learning process. Through intensive individual practice, they had built up a significant repertoire of musical works. Being well prepared allowed them to impart knowledge, which helped them to achieve an authoritative and communicative relationship with musicians. While technical aspects such as baton technique had been important during early career stages, these were mostly no longer practiced. Studying the score was perceived as the most central practice activity aiming at performance improvement. It required disciplined, persistent, and goal-oriented learning, and thus carried the marks of purposeful practice. Individual activities during score study were mainly carried out mentally and in particular situations supported with external tools (e.g., piano, audio recordings). The findings shed light on differences in opinion and implicit tensions, especially regarding memorization and the use of tools.show moreshow less

Download full text files

Export metadata

Statistics

Number of document requests

Additional Services

Share in Twitter Search Google Scholar
Metadaten
Author:Helen Jossberger, Erkki Huovinen, Martin Ritter, Hans Gruber
URN:urn:nbn:de:bvb:384-opus4-1218653
Frontdoor URLhttps://opus.bibliothek.uni-augsburg.de/opus4/121865
ISSN:0305-7356OPAC
ISSN:1741-3087OPAC
Parent Title (English):Psychology of Music
Publisher:SAGE Publications
Place of publication:Thousand Oaks, CA
Type:Article
Language:English
Year of first Publication:2025
Publishing Institution:Universität Augsburg
Release Date:2025/05/09
Volume:53
Issue:3
First Page:321
Last Page:336
DOI:https://doi.org/10.1177/03057356241311817
Institutes:Philosophisch-Sozialwissenschaftliche Fakultät
Philosophisch-Sozialwissenschaftliche Fakultät / Musik
Philosophisch-Sozialwissenschaftliche Fakultät / Musik / Musikpädagogik
Dewey Decimal Classification:7 Künste und Unterhaltung / 78 Musik / 780 Musik
Licence (German):CC-BY 4.0: Creative Commons: Namensnennung (mit Print on Demand)